Moving forward, I have a deepened sense of what butoh is in a historical context globally and personally, as a world citizen and a united states seattlite. I am encouraged by the diversity of expression somehow linked to Hijikata's initial ankokoh butoh; inexplicitly and expressly butoh emerges as a global Hiroshima boabab, blowing the inner structure open to expansive infinity.
Miracle Machines is the focus of my next work. First in seattle then on to san francisco, elsewhere, then Japan. Yamaguchi Center for Arts and Media will work with Peter Golightly (formerly of DumbType) and me plus the rest of the internatioanl artist team Itsy-Ha invites. Itsy-Ha is the name of my dance company; its work will formally debut in 2012.